Reviews

Showing posts with label British Museum. Show all posts
Showing posts with label British Museum. Show all posts

Friday, 29 March 2013

Life and Death: Pompeii and Herculaneum

Verdict: Go see it
Where: British Museum
When: 28 March - 29 September 2013


Mosaic of a guard dog. From the House of Orpheus, Pompeii, 1st century AD. Copyright Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei / Trustees of the British Museum

Most people are aware of the devastation wrought by Mount Vesuvius on the town of Pompeii in AD79, though some may be less aware of the other towns that were also overwhelmed such as Herculaneum.

This exhibition opens with a plaster cast of a dead dog curled up in a position that captures the agony of its dying moments. The collar signifying it was a guard dog - how poetic that it would die carrying out its duty of guarding the home. The information does spoil this romantic notion slightly by correctly pointing out this curled up position is actually due to tendons contracting from the heat but that doesn't take away the power of this opening. 

Yet this first exhibit is misleading, for this exhibition doesn't really dwell on death and devastation but focuses on the lives of the ordinary folk in the towns of Pompeii and Herculaneum. Here's a chance to see how day to day Roman life played out, demonstrated by a set of remarkably preserved remains - right down to a roundel of bread where the bakers stamp still looks fresh, even if the bread itself has been carbonised.

This show is replete with well preserved artefacts from marble and bronze statues to furniture and even the sign of a local tavern. The way the two towns were destroyed by Vesuvius was slightly different so that Herculaneum has had all its wooden objects carbonised rather than destroyed. This includes a blackened baby's cot and we're told that the poor child's remains were found inside it. 

The main thrust of this exhibition is to show us the daily lives in an average town. Rome may have terrific records but it's a completely different way of living - akin to comparing London living with a sleepy Lancashire village. One major surprise is how much the towns were reliant on slaves emancipating themselves with the blessing of their masters and becoming citizens of their town - demonstrating that a slaves lot didn't have to be so bad nor permanent.

For me, the most revelatory aspect of this display is the similarities to society today. Sure the Romans were much less conservative around sex but there are lots of easy comparisons to make. The bars were known for drunken fights and the politicians commissioned posters of themselves giving out bread for free - the Roman equivalent of kissing babies.

We also see that many citizens had some amazing items in their possession. A mosaic of sea creatures and a table whose single leg has been carved into a panther are two stand out pieces but they are by no means the only exemplary items here.

This excellent exhibition ends with a look at the end, as you'd expect, showing us remains of a family killed together and items that have been recovered from people who tried to flee - some took their money, others treasured possessions. It's a harrowing reminder of all the lives snuffed out, but they also hint at there being much more to discover in the remaining debris. Despite the tragedy that befell these two towns, the insight provided from their well preserved remains is a unique look back at Roman life that we wouldn't have otherwise.

This exhibition does live up to the hype and is yet another success for the British Museum. The news suggests many tickets have already sold out and people are already queuing from 7am for on the day tickets, so make sure you plan your visit well as any history or art fan will want to see this show.

Sunday, 29 January 2012

Hajj: Journey to the Heart of Islam

This review has been published by the Londonist
Verdict: Go see it                                                                                     Where: British Museum                                                                              When: 26 January - 15 April 2012
The Hajj — the pilgrimage to Mecca — is central to Islam, yet as only Muslims are allowed to perform the Hajj, it remains a mystery to most people. The British Museum seeks to remedy this by offering a unique insight into the origins, history and rituals of the Hajj. A wealth of information is on display alongside artefacts ranging from the lavish banners carried by pilgrims, to the more mundane items such as the cups that they drank from.
In the Reading Room, the British Museum has arguably one of the premier exhibition spaces in the country and it has been used to great effect here. You begin to hear the adhan (the call to prayer) before you’ve even entered the exhibition and this immerses you in the reverence that is afforded to the Hajj.
There are many magnificent artefacts on display, from a delicate and ornately decorated quran to an opulent mahmul (a ceremonial palanquin). However, the focus of this exhibit is on the journey to Mecca itself and the weight of detail available makes this exhibit truly fascinating — from the life threatening challenges faced by the pilgrims through to the many famous historical figures who completed the Hajj.

The stories of modern British pilgrims and what the Hajj means to them helps present this ancient pilgrimage in a modern light, making it easier for the uninitiated to understand why it inspires such revelatory experiences amongst modern Muslims.
Some minor quibbles are that the exhibition is not as logically structured as it could have been and goes off on tangents a few too many times. Though these tangents usually result in some remarkable stories, it does give the exhibition a slightly disjointed feel.
You don’t need to be interested in the Hajj or Islam to find this exhibit both eye-opening and fascinating, though you should set aside at least ninety minutes to assimilate all the information on display.
In a time when most people are curious about Islam, this exhibition does an excellent job of shedding some light on one of its least understood rituals.